These two photographs are Pulitzer Prize winners.
They date from a time when a substantial amount (if not all) of their merit came from the rarity of the moment they had captured. We may look at each image and know that the photographer was in location
Lx, with camera
Cx in his hand precisely when subjects
Sx throught
Sy had arranged themselves
just so — at hour
Hx. But all of that is gone now.
We are not struck by images in the same way anymore — because they are no longer
necessarily “captured moments”. What images we see, whether they are on the printed page or on a screen, cannot escape the pervasiveness of the
digital, nor detach in our minds from the possibility (the likelihood) that they’re
not real...
more
See also
the truth.